Un par de listas rápidas sobre cine artístico y cine underground en EE.UU., ambas extraídas del libro:
Historia general del cine. Volumen XI. Nuevos cines (años 60), VV.AA. (Cátedra, 1995), concretamente de dos ensayos:
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El cine artístico y narrativo americano (1949-1979), por Ray Carney
-Sidney Meyers: The quiet one (1949)
-Morris Engel: The little fugitive (1953), Lovers and lollipops (1955), Wedding and babies (1958)
-Lionel Rogosin: On the bowery (1956), Come back Africa (1960), Good times, wonderful times (1965), Black roots (1970)
-John Cassavetes: Shadows (1959), Faces (1969)
-Shirley Clarke: La conexión (1962), The cool world (1963), Portrait of Jason (1967)
-Barbara Loden: Wanda (1971)
-Elaine May: El rompecorazones (1972), Mickey y Nickey
-Mark Rappaport: Casual relations (1973), Mozart in love (1975), Local color (1977), Impostors (1979, Chain letters, Rock Hudson's home movies (1992)
-Robert Kramer: Ice (1969), Milestones (1975)
-Paul Morrisey: Chelsea girls (1966), Lonesone cowboys (1967), Flesh (1968), Thrash (1970), Heat (1971)
De este período destaca a Engel, Cassavetes, Loden, May, Rappaport, Kramer y Morrisey, aunque cita también a Robert Kaylor, Joan Micklin Silver, Michael Roemer, William Graves, Robert Frank, Jim Mc Bride, Milton Moses Ginsburg, Claudia Weill, Joseph Strick, Henry Jaglon, John Korty...
Y además destaca, entre los 80 y 90, a Caveh Zahedi, Nick Gómez, Jane Spencer, Gregg Araki, Jim Jarmusch, Charles Burnett...
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y 2_
New American Cinema: el Underground, por Manuel Vidal Estévez
-Harry Smith: Early abstractions (1939-57), Heaven and Earth magic (1950-61)
-Maya Deren: Meshes of the afternoon (1943), A study in coreography for camera (1945)
-Kenneth Anger: Fireworks (1947), Scorpio rising (1969), Invocation of my demon brother (1969)
-Williard Maas: Geography of the body (1943)
-Sidney Peterson: The lead shoes (1949)
-Ian Hugo: Belle of Atlantis (1952)
-Stan Brakhage: Art of vision (1961-65), Blue moses (1962)
-Shirley Clarke: In Paris parks (1954), Bullfight (1955), Bridges go-round (1958-9), La conexión (1960), The cool world (1963), Portrait of Jason (1967)
-Robert Breer: Recreation: (1956-7)
-Ken Jacobs: Artie and Marty Rossenblatt's pictures (1941), Little stabs at happiness (1959-63), Window (1964)
-Marie Menken: Notebook (1963)
-Stan Vanderbreek: Science friction (1959)
-Jonas Mekas: Grand street (1953), Guns of the trees (1961), The brig (1964), Diaries, notes and sketches (1964-68)
-Robert Frank: Pull my daisy (1959)
-Jack Smith: Flaming creatures (1962-3)
-Andy Warhol: Sleep (1963), Haircut (1963), Eat (1963), Empire (1964), Vinyl (1965)
-Peter Emanuel Goldman: Echoes of silence (1962-65)
-Tony Conrad: The flicker (1963)
-Peter Kubelka: Arnulf rainer (1957-60)
-Paul Sharits: Y.O.U.C.H.I.N.G. (1968)
-Robert Nelson: Oh Dem watermelons (1965), Blue shut (1970)
-Michael Snow: A to Z (1950), New York eye and ear control (1961), Wawelenght (1966-7), Standard time (1967)
-Nicholas Ray: We can't go home again (1971-3)
Y puntualiza que se considera "cine estructural" el que enfatiza un sólo componente del medio cinematográfico, representado por cineastas como Conrad, Snow, Sharits, George Landow, Ernie Gehr, Hollis Frampton...
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